- Title Pages
- Introduction
- Acknowledgments
- Virginia Woolf Standard Abbreviations
- Roundtable: Woolf and Violence
- Intersections: Surveillance, Propaganda, and Just War
- Modernism and Memorials: Virginia Woolf and Christopher Isherwood
- Taking Up Her Pen for World Peace: Virginia Woolf, Feminist Pacifist. Or Not?
- The Sex War and the Great War: Woolf’S Late Victorian Inheritance in <i>Three Guineas</i>
- Sky Haunting: The British Motor-Car Industry and the World Wars<sup>1</sup>
- The 1914 “Expurgated Chunk”: The Great War in and out of <i>The Years</i>
- “beauty, simplicity and peace”: Faithful Pacifism, Activist Writing, and <i>The Years</i>
- Virginia Woolf, Katharine Burdekin, and Britain’s Cosmopolitan Musical Culture
- Death in the Air: Virginia Woolf and Sylvia Townsend Warner in World War II
- Teaching Privileges: <i>Three Guineas</i> and the Cost of Global Citizenship
- From Guineas to Riyals: Teaching Woolf in the Middle East
- Fashionable Misconceptions: The Creation of the East in Virginia Woolf’s <i>Orlando</i>
- From London to Taipei: Writing the Past in “Wandering in the Garden, Waking from a Dream” and <i>Mrs. Dalloway</i>
- An Estranged Intimacy with the World: The Postcolonial Woolf’s Planetary Love in <i>The Voyage Out</i>
- “Shakespeare’s Sister”: Woolf in the World Before <i>A Room of One’s Own</i>
- Leonard Woolf: Writing the World of Palestine, Zionism, and the State of Israel
- “And the donkey brays”: Donkeys at Work in Virginia Woolf
- Companion Creatures: “Dogmanity” in <i>Three Guineas</i>
- Virginia Woolf’s Object-Oriented Ecology
- The Bodies In/Are <i>The Waves</i>
- Stretching our “Antennae”: Converging Worlds of the Seen and the Unseen in “Kew Gardens”
- “The Problem of Space”: Embodied Language and the Body in Nature in <i>To the Lighthouse</i>
- “Whose Woods These Are”: Virginia Woolf and the Primeval Forests of the Mind
- Negative Feminism and Anti-Development in Virginia Woolf’s <i>The Voyage Out</i>
- Upheavals of Intimacy in <i>To the Lighthouse</i>
- The Reconciliations of Poetry in Virginia Woolf’s <i>Between the Acts</i>; or, Why it’s “perfectly ridiculous to call it a novel”
- Virginia Woolf, Composition Theorist: How Imagined Audiences Can Wreck a Writer
- The Precarity of “Civilization” in Woolf’s Creative Worldmaking
- Notes on Contributors
- Conference Program
- Appendix
From Guineas to Riyals: Teaching Woolf in the Middle East
From Guineas to Riyals: Teaching Woolf in the Middle East
- Chapter:
- (p.99) From Guineas to Riyals: Teaching Woolf in the Middle East
- Source:
- Virginia Woolf: Writing the World
- Author(s):
Erin Amann Holliday-Karre
- Publisher:
- Liverpool University Press
The author reflects on her experience teaching Western literature and feminism to young (mostly) Arab women at Qatar University. This paper explores the limits of Western feminist ideology in the Middle East through Virginia Woolf’s Three Guineas (1938). The essay compares Woolf’s feminism to the liberal feminism of the International Women’s Alliance which, in the early 20th century, launched a world tour to recruit women around suffrage and equality. Because Woolf refuses to champion the ideology of liberal humanism, students are introduced to the kind of argumentation that allows them to challenge an all-too-common tenet of liberal humanist feminism that insists upon the oppression of women in the Middle East.
Keywords: Virginia Woolf, Three Guineas, Middle East, Feminism, Arab women, Liberal humanism, Veil, Education
Liverpool Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.
Please, subscribe or login to access full text content.
If you think you should have access to this title, please contact your librarian.
To troubleshoot, please check our FAQs, and if you can't find the answer there, please contact us.
- Title Pages
- Introduction
- Acknowledgments
- Virginia Woolf Standard Abbreviations
- Roundtable: Woolf and Violence
- Intersections: Surveillance, Propaganda, and Just War
- Modernism and Memorials: Virginia Woolf and Christopher Isherwood
- Taking Up Her Pen for World Peace: Virginia Woolf, Feminist Pacifist. Or Not?
- The Sex War and the Great War: Woolf’S Late Victorian Inheritance in <i>Three Guineas</i>
- Sky Haunting: The British Motor-Car Industry and the World Wars<sup>1</sup>
- The 1914 “Expurgated Chunk”: The Great War in and out of <i>The Years</i>
- “beauty, simplicity and peace”: Faithful Pacifism, Activist Writing, and <i>The Years</i>
- Virginia Woolf, Katharine Burdekin, and Britain’s Cosmopolitan Musical Culture
- Death in the Air: Virginia Woolf and Sylvia Townsend Warner in World War II
- Teaching Privileges: <i>Three Guineas</i> and the Cost of Global Citizenship
- From Guineas to Riyals: Teaching Woolf in the Middle East
- Fashionable Misconceptions: The Creation of the East in Virginia Woolf’s <i>Orlando</i>
- From London to Taipei: Writing the Past in “Wandering in the Garden, Waking from a Dream” and <i>Mrs. Dalloway</i>
- An Estranged Intimacy with the World: The Postcolonial Woolf’s Planetary Love in <i>The Voyage Out</i>
- “Shakespeare’s Sister”: Woolf in the World Before <i>A Room of One’s Own</i>
- Leonard Woolf: Writing the World of Palestine, Zionism, and the State of Israel
- “And the donkey brays”: Donkeys at Work in Virginia Woolf
- Companion Creatures: “Dogmanity” in <i>Three Guineas</i>
- Virginia Woolf’s Object-Oriented Ecology
- The Bodies In/Are <i>The Waves</i>
- Stretching our “Antennae”: Converging Worlds of the Seen and the Unseen in “Kew Gardens”
- “The Problem of Space”: Embodied Language and the Body in Nature in <i>To the Lighthouse</i>
- “Whose Woods These Are”: Virginia Woolf and the Primeval Forests of the Mind
- Negative Feminism and Anti-Development in Virginia Woolf’s <i>The Voyage Out</i>
- Upheavals of Intimacy in <i>To the Lighthouse</i>
- The Reconciliations of Poetry in Virginia Woolf’s <i>Between the Acts</i>; or, Why it’s “perfectly ridiculous to call it a novel”
- Virginia Woolf, Composition Theorist: How Imagined Audiences Can Wreck a Writer
- The Precarity of “Civilization” in Woolf’s Creative Worldmaking
- Notes on Contributors
- Conference Program
- Appendix
