- Title Pages
- Introduction
- Acknowledgments
- Virginia Woolf Standard Abbreviations
- Roundtable: Woolf and Violence
- Intersections: Surveillance, Propaganda, and Just War
- Modernism and Memorials: Virginia Woolf and Christopher Isherwood
- Taking Up Her Pen for World Peace: Virginia Woolf, Feminist Pacifist. Or Not?
- The Sex War and the Great War: Woolf’S Late Victorian Inheritance in <i>Three Guineas</i>
- Sky Haunting: The British Motor-Car Industry and the World Wars<sup>1</sup>
- The 1914 “Expurgated Chunk”: The Great War in and out of <i>The Years</i>
- “beauty, simplicity and peace”: Faithful Pacifism, Activist Writing, and <i>The Years</i>
- Virginia Woolf, Katharine Burdekin, and Britain’s Cosmopolitan Musical Culture
- Death in the Air: Virginia Woolf and Sylvia Townsend Warner in World War II
- Teaching Privileges: <i>Three Guineas</i> and the Cost of Global Citizenship
- From Guineas to Riyals: Teaching Woolf in the Middle East
- Fashionable Misconceptions: The Creation of the East in Virginia Woolf’s <i>Orlando</i>
- From London to Taipei: Writing the Past in “Wandering in the Garden, Waking from a Dream” and <i>Mrs. Dalloway</i>
- An Estranged Intimacy with the World: The Postcolonial Woolf’s Planetary Love in <i>The Voyage Out</i>
- “Shakespeare’s Sister”: Woolf in the World Before <i>A Room of One’s Own</i>
- Leonard Woolf: Writing the World of Palestine, Zionism, and the State of Israel
- “And the donkey brays”: Donkeys at Work in Virginia Woolf
- Companion Creatures: “Dogmanity” in <i>Three Guineas</i>
- Virginia Woolf’s Object-Oriented Ecology
- The Bodies In/Are <i>The Waves</i>
- Stretching our “Antennae”: Converging Worlds of the Seen and the Unseen in “Kew Gardens”
- “The Problem of Space”: Embodied Language and the Body in Nature in <i>To the Lighthouse</i>
- “Whose Woods These Are”: Virginia Woolf and the Primeval Forests of the Mind
- Negative Feminism and Anti-Development in Virginia Woolf’s <i>The Voyage Out</i>
- Upheavals of Intimacy in <i>To the Lighthouse</i>
- The Reconciliations of Poetry in Virginia Woolf’s <i>Between the Acts</i>; or, Why it’s “perfectly ridiculous to call it a novel”
- Virginia Woolf, Composition Theorist: How Imagined Audiences Can Wreck a Writer
- The Precarity of “Civilization” in Woolf’s Creative Worldmaking
- Notes on Contributors
- Conference Program
- Appendix
The Sex War and the Great War: Woolf’S Late Victorian Inheritance in Three Guineas
The Sex War and the Great War: Woolf’S Late Victorian Inheritance in Three Guineas
- Chapter:
- (p.43) The Sex War and the Great War: Woolf’S Late Victorian Inheritance in Three Guineas
- Source:
- Virginia Woolf: Writing the World
- Author(s):
Christine Haskill
- Publisher:
- Liverpool University Press
This essay interrogates how Woolf’s construction of feminist pacifism in Three Guineas (1938) resonates with late Victorian literary feminism. The narrator’s internal debate within Three Guineas reflects a division among New Woman writers between the reforming vision of Olive Schreiner and the radical tactics of George Egerton. Schreiner and Egerton represent an important tension in feminism between equality and agency. Woolf’s debate with late Victorian feminists informs her critique of modern war as an outsider. As she contextualizes the tyranny of war alongside the tyranny of the separate spheres, the Great War and the sex war of the late nineteenth century become inextricable in Three Guineas.
Keywords: Three Guineas, Olive Schreiner, George Egerton, Virginia Woolf, Feminism, Victorian, New Woman, Great War
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- Title Pages
- Introduction
- Acknowledgments
- Virginia Woolf Standard Abbreviations
- Roundtable: Woolf and Violence
- Intersections: Surveillance, Propaganda, and Just War
- Modernism and Memorials: Virginia Woolf and Christopher Isherwood
- Taking Up Her Pen for World Peace: Virginia Woolf, Feminist Pacifist. Or Not?
- The Sex War and the Great War: Woolf’S Late Victorian Inheritance in <i>Three Guineas</i>
- Sky Haunting: The British Motor-Car Industry and the World Wars<sup>1</sup>
- The 1914 “Expurgated Chunk”: The Great War in and out of <i>The Years</i>
- “beauty, simplicity and peace”: Faithful Pacifism, Activist Writing, and <i>The Years</i>
- Virginia Woolf, Katharine Burdekin, and Britain’s Cosmopolitan Musical Culture
- Death in the Air: Virginia Woolf and Sylvia Townsend Warner in World War II
- Teaching Privileges: <i>Three Guineas</i> and the Cost of Global Citizenship
- From Guineas to Riyals: Teaching Woolf in the Middle East
- Fashionable Misconceptions: The Creation of the East in Virginia Woolf’s <i>Orlando</i>
- From London to Taipei: Writing the Past in “Wandering in the Garden, Waking from a Dream” and <i>Mrs. Dalloway</i>
- An Estranged Intimacy with the World: The Postcolonial Woolf’s Planetary Love in <i>The Voyage Out</i>
- “Shakespeare’s Sister”: Woolf in the World Before <i>A Room of One’s Own</i>
- Leonard Woolf: Writing the World of Palestine, Zionism, and the State of Israel
- “And the donkey brays”: Donkeys at Work in Virginia Woolf
- Companion Creatures: “Dogmanity” in <i>Three Guineas</i>
- Virginia Woolf’s Object-Oriented Ecology
- The Bodies In/Are <i>The Waves</i>
- Stretching our “Antennae”: Converging Worlds of the Seen and the Unseen in “Kew Gardens”
- “The Problem of Space”: Embodied Language and the Body in Nature in <i>To the Lighthouse</i>
- “Whose Woods These Are”: Virginia Woolf and the Primeval Forests of the Mind
- Negative Feminism and Anti-Development in Virginia Woolf’s <i>The Voyage Out</i>
- Upheavals of Intimacy in <i>To the Lighthouse</i>
- The Reconciliations of Poetry in Virginia Woolf’s <i>Between the Acts</i>; or, Why it’s “perfectly ridiculous to call it a novel”
- Virginia Woolf, Composition Theorist: How Imagined Audiences Can Wreck a Writer
- The Precarity of “Civilization” in Woolf’s Creative Worldmaking
- Notes on Contributors
- Conference Program
- Appendix
