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- Title Pages
- Introduction
- Acknowledgments
- Virginia Woolf Standard Abbreviations
- Roundtable: Woolf and Violence
- Intersections: Surveillance, Propaganda, and Just War
- Modernism and Memorials: Virginia Woolf and Christopher Isherwood
- Taking Up Her Pen for World Peace: Virginia Woolf, Feminist Pacifist. Or Not?
- The Sex War and the Great War: Woolf’S Late Victorian Inheritance in <i>Three Guineas</i>
- Sky Haunting: The British Motor-Car Industry and the World Wars<sup>1</sup>
- The 1914 “Expurgated Chunk”: The Great War in and out of <i>The Years</i>
- “beauty, simplicity and peace”: Faithful Pacifism, Activist Writing, and <i>The Years</i>
- Virginia Woolf, Katharine Burdekin, and Britain’s Cosmopolitan Musical Culture
- Death in the Air: Virginia Woolf and Sylvia Townsend Warner in World War II
- Teaching Privileges: <i>Three Guineas</i> and the Cost of Global Citizenship
- From Guineas to Riyals: Teaching Woolf in the Middle East
- Fashionable Misconceptions: The Creation of the East in Virginia Woolf’s <i>Orlando</i>
- From London to Taipei: Writing the Past in “Wandering in the Garden, Waking from a Dream” and <i>Mrs. Dalloway</i>
- An Estranged Intimacy with the World: The Postcolonial Woolf’s Planetary Love in <i>The Voyage Out</i>
- “Shakespeare’s Sister”: Woolf in the World Before <i>A Room of One’s Own</i>
- Leonard Woolf: Writing the World of Palestine, Zionism, and the State of Israel
- “And the donkey brays”: Donkeys at Work in Virginia Woolf
- Companion Creatures: “Dogmanity” in <i>Three Guineas</i>
- Virginia Woolf’s Object-Oriented Ecology
- The Bodies In/Are <i>The Waves</i>
- Stretching our “Antennae”: Converging Worlds of the Seen and the Unseen in “Kew Gardens”
- “The Problem of Space”: Embodied Language and the Body in Nature in <i>To the Lighthouse</i>
- “Whose Woods These Are”: Virginia Woolf and the Primeval Forests of the Mind
- Negative Feminism and Anti-Development in Virginia Woolf’s <i>The Voyage Out</i>
- Upheavals of Intimacy in <i>To the Lighthouse</i>
- The Reconciliations of Poetry in Virginia Woolf’s <i>Between the Acts</i>; or, Why it’s “perfectly ridiculous to call it a novel”
- Virginia Woolf, Composition Theorist: How Imagined Audiences Can Wreck a Writer
- The Precarity of “Civilization” in Woolf’s Creative Worldmaking
- Notes on Contributors
- Conference Program
- Appendix
(p.211) Notes on Contributors
(p.211) Notes on Contributors
- Source:
- Virginia Woolf: Writing the World
- Publisher:
- Liverpool University Press
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- Title Pages
- Introduction
- Acknowledgments
- Virginia Woolf Standard Abbreviations
- Roundtable: Woolf and Violence
- Intersections: Surveillance, Propaganda, and Just War
- Modernism and Memorials: Virginia Woolf and Christopher Isherwood
- Taking Up Her Pen for World Peace: Virginia Woolf, Feminist Pacifist. Or Not?
- The Sex War and the Great War: Woolf’S Late Victorian Inheritance in <i>Three Guineas</i>
- Sky Haunting: The British Motor-Car Industry and the World Wars<sup>1</sup>
- The 1914 “Expurgated Chunk”: The Great War in and out of <i>The Years</i>
- “beauty, simplicity and peace”: Faithful Pacifism, Activist Writing, and <i>The Years</i>
- Virginia Woolf, Katharine Burdekin, and Britain’s Cosmopolitan Musical Culture
- Death in the Air: Virginia Woolf and Sylvia Townsend Warner in World War II
- Teaching Privileges: <i>Three Guineas</i> and the Cost of Global Citizenship
- From Guineas to Riyals: Teaching Woolf in the Middle East
- Fashionable Misconceptions: The Creation of the East in Virginia Woolf’s <i>Orlando</i>
- From London to Taipei: Writing the Past in “Wandering in the Garden, Waking from a Dream” and <i>Mrs. Dalloway</i>
- An Estranged Intimacy with the World: The Postcolonial Woolf’s Planetary Love in <i>The Voyage Out</i>
- “Shakespeare’s Sister”: Woolf in the World Before <i>A Room of One’s Own</i>
- Leonard Woolf: Writing the World of Palestine, Zionism, and the State of Israel
- “And the donkey brays”: Donkeys at Work in Virginia Woolf
- Companion Creatures: “Dogmanity” in <i>Three Guineas</i>
- Virginia Woolf’s Object-Oriented Ecology
- The Bodies In/Are <i>The Waves</i>
- Stretching our “Antennae”: Converging Worlds of the Seen and the Unseen in “Kew Gardens”
- “The Problem of Space”: Embodied Language and the Body in Nature in <i>To the Lighthouse</i>
- “Whose Woods These Are”: Virginia Woolf and the Primeval Forests of the Mind
- Negative Feminism and Anti-Development in Virginia Woolf’s <i>The Voyage Out</i>
- Upheavals of Intimacy in <i>To the Lighthouse</i>
- The Reconciliations of Poetry in Virginia Woolf’s <i>Between the Acts</i>; or, Why it’s “perfectly ridiculous to call it a novel”
- Virginia Woolf, Composition Theorist: How Imagined Audiences Can Wreck a Writer
- The Precarity of “Civilization” in Woolf’s Creative Worldmaking
- Notes on Contributors
- Conference Program
- Appendix
