Jump to ContentJump to Main Navigation
Borrowed FormsThe Music and Ethics of Transnational Fiction$

Kathryn Lachman

Print publication date: 2014

Print ISBN-13: 9781781380307

Published to Liverpool Scholarship Online: January 2015

DOI: 10.5949/liverpool/9781781380307.001.0001

Show Summary Details
Page of

PRINTED FROM LIVERPOOL SCHOLARSHIP ONLINE (www.liverpool.universitypressscholarship.com). (c) Copyright Liverpool University Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in LSO for personal use.date: 22 October 2021

(p.175) Works Cited

(p.175) Works Cited

Source:
Borrowed Forms
Publisher:
Liverpool University Press

Bibliography references:

Abani, Chris. 2004. GraceLand. New York: Farrar, Straus, and Giroux.

Abbate, Carolyn. 1991. Unsung Voices: Opera and Musical Narrative in the Nineteenth Century. Princeton: Princeton University Press.

——— and Roger Parker. 2012. A History of Opera: The Last Four Hundred Years. London, New York: Allen Lane (Penguin).

Adelson, Dorothy. 1942. “The Vinteuil Sonata.” Music and Letters: 228–33.

Adichie, Chimamanda. 2003. Purple Hibiscus. Chapel Hill, NC: Algonquin Books.

Adler, Laureand Assia Djebar. 2006. “A voix nue.” Five Interviews with Assia Djebar. France Culture, January 20–February 3.

Adorno, Theodor W. 1963, 1998. Quasi una fantasia: Essays on Modern Music. Trans. Rodney Livingstone. London: Verso.

———. 2002. Essays on Music. Selected and annotated by Richard Leppert. Trans. Susan Gillespie. Berkeley: University of California Press.

Agawu, Kofi. 1992. “Wrong Notes: Review of Edward Said's Musical Elaborations.” Transition 55: 162–66.

———. 2001. “African Music as Text.” Research in African Literatures 32.2: 8–16.

Al-Ghadeer, Moneera. 2008. “Conquest's Spectacle: Djebar's L'amour, la fantasia and Lacoue-Labarthe's Musica ficta.” In “Anonymity” (special issue), symplokē 16.1/2: 241–71

Al-Nakib, Mai. 2005. “Assia Djebar's Musical Ekphrasis.” Comparative Literature Studies, 42.4: 253–76.

Amrouche, Taos. 1947. Jacinthe noire. Paris: Charlot.

Anderson, Benedict. 1983. Imagined Communities: Reflections on the Origin and Spread of Nationalism. London: Verso.

Appiah, Kwame Anthony. 1991. “Is the Post in Postcolonial the Post in Postmodernism?” Critical Inquiry 17.2 (Winter): 336–57.

(p.176) Apter, Emily. 2001. “Crossover Texts/Creole Tongues: A Conversation with Maryse Condé.” Public Culture 13.1: 89–96.

Arac, Jonathan. 1998. “Criticism between Opposition and Counterpoint.” In “Edward W. Said” (special issue), boundary 2 25.2 (Summer): 55–69.

Argand, Catherine. 2001. “Entretien: Nancy Huston.” L'Express, March 1. http://www.lexpress.fr/culture/livre/nancy-huston_804287.html. Accessed March 20, 2013.

Arroyas, Frédérique. 2007. “Diabolus in musica: La ‘Sonate de la Résurrection’ de Heinrich Biber, arme de détournement dans Instruments des ténèbres de Nancy Huston.” L'Esprit Créateur 47.2: 88–100.

———. 2008. “Literary mediations of Baroque music: Biber, Bach, and Nancy Huston.” In Essays on Word/Music Adaptation and on Surveying the Field. Ed. David Francis Urrows. Amsterdam: Rodopi: 93–105.

Ashcroft, Bill, Gareth Griffiths, and Helen Tiffin. 1989. The Empire Writes Back: Theory and Practice in Post-Colonial Literatures. London: Routledge.

Ashcroft, Bill. 2010. “Globalization, Transnation and Utopia.” In Locating Transnational Ideals. Ed. Walter Goebel and Saskia Schabio. New York: Routledge.

Attridge, Derek. 1994. “Literary Form and the Demands of Politics: Otherness in Coetzee's Age of Iron.” In Aesthetics and Ideology, ed. George Levine: 243–65. New Jersey: Rutgers University Press.

———. 1996. “Oppressive Silence: Foe and the Politics of Canonization.” In Critical Perspectives on J. M. Coetzee, ed. Graham Huggan and Stephen Watson: 168–90. New York: St Martin's Press.

———. 2004. J. M. Coetzee and the Ethics of Reading: Literature in the Event. Chicago: University of Chicago Press.

——— and Rosemary Jolly, eds. 1998. Writing South Africa: Literature, Apartheid, and Democracy, 1970–1995. Cambridge and New York: Cambridge University Press, 1998.

Attwell, David. 1992. “Introduction.” In Doubling the Point: Essays and Interviews, by J. M. Coetzee: 1–14. Cambridge: Harvard University Press.

———. 1993. J. M. Coetzee: South Africa and the Politics of Writing. Berkeley: University of California Press.

——— and Barbara Harlow, eds. 2001. “South African Fiction after Apartheid” (special issue), Modern Fiction Studies 46.1.

Aub-Buscher, Gertrude and Beverley Ormerod Noakes, eds. 2003. The Francophone Caribbean Today. Barbados: University of West Indies Press.

Bakhtin, Mikhail. 1973. Problems of Dostoevsky's Poetics. Trans. Caryl Emerson. Ann Arbor: Ardis.

———. 1981. The Dialogic Imagination: Four Essays. Trans. Gary Saul Morson and Caryl Emerson. Austin: University of Texas Press.

(p.177) Banfield, Ann. 1991. “L'Ecriture et le Non-dit.” Diacritics 21.4 (Winter): 20–31.

Barbé, Philippe. 2001. “Transnational and Translinguistic Relocation of the Subject in Les Nuits de Strasbourg by Assia Djebar.” L'Esprit créateur 41.3 (Fall): 125–35.

Barca, Antonio Jiménez. 2009. “Entrevista con Nancy Huston: La inteligencia es catastrófica para la literatura.” El país. (October 3). http://elpais.com/diario/2009/10/03/babelia/1254528747_850215.html Accessed March 26, 2014.

Barnard, Rita. 2003. “J. M. Coetzee's Disgrace and the South African Pastoral.” Contemporary Literature 44.2 (Summer): 199–224.

Barthes, Roland. 1954. Michelet par lui-même, Paris: Editions du Seuil.

———. 1967. “The Death of the Author.” Trans. Richard Howard. Aspen 5+6 (Fall/ Winter).

———. 1977. Roland Barthes by Roland Barthes. Trans. Richard Howard. New York: Hill & Wang.

———. 1978. Image Music Text. Trans. Steven Heath. New York: Hill & Wang.

———. 1981. Le grain de la voix: entretiens 1962–1980. Paris: Editions du Seuil.

The Battle of Algiers. 1966. Gilo Pontecorvo. Criterion. DVD.

Bauchau, Henry. 1990. Oedipus sur la route. Arles: Actes Sud.

———. 1997. Antigone. Arles: Actes Sud.

———. 1999. Journal d'Antigone 1989–1997. Arles: Actes Sud.

Baudelaire, Charles. 1975. Œuvres complètes. Paris: Gallimard.

Bazzana, Kevin. 2010. Wondrous Strange: The Life and Art of Glenn Gould. Oxford and New York: Oxford University Press.

Becker, Florian, Paola S. Hernández, and Brenda Werth. 2013. Imagining Human Rights in Twenty-First Century Theater: Global Perspectives. Basingstoke, New York: Palgrave Macmillan.

Bédarida, Catherine. 1997. “John Coetzee dans son exil intérieur.” Le Monde, October 10. http://www.lemonde.fr/cgi-bin/ACHATS/acheter.cgi?offre=ARCHIVES&type_item=ART_ARCH_30J&objet_id=287153. Accessed July 14, 2010.

Behdad, Ali and Dominic Thomas, eds. 2011. A Companion to Comparative Literature. Chichester: Wiley–Blackwell.

Benachour, Djamel. 2006. “Oran: Pièce théatrâle Le cri d'Antigone: une tragédie ancestrale et actuelle.” El Watan, April 13.

Benítez-Rojo, Antonio. 1992. The Repeating Island: the Caribbean and the Post-modern Perspective. Trans. James Maraniss. Durham: Duke University Press.

Bennoune, Mahfoud. 2002. The Making of Contemporary Algeria. Cambridge: Cambridge University Press.

Bensmaïa, Reda. 2003. Experimental Nations. Trans. Alyson Waters. Princeton: Princeton University Press.

(p.178) ——— and Rey Chow. 2005. “Editor's Introduction.” In “Between Languages” (special issue), Comparative Literature Studies 42.4: 249–52.

Benson, Stephen. 2003. “For Want of a Better Term? Polyphony and the Value of Music in Bakhtin and Kundera.” Narrative 11.3 (October): 292–311.

———. Literary Music. 2006. Aldershot: Ashgate.

Bernabé, Jean, Patrick Chamoiseau, and Raphaël Confiant. 1989. Eloge de la créolité. Paris: Gallimard, Presses universitaires créoles.

Bernhard, Thomas. 1983. Der Untergeher. Frankfurt am Main: Suhrkamp.

Bernstein, Michael. 1998. “Keeping the Conversation Going.” New Literary History 29.4: 687–90.

Blanchot, Maurice. 1955. L'espace littéraire. Paris: Gallimard.

———. 2003 [1959]. The Book to Come. Trans. Charlotte Mandell. Stanford: Stanford University Press.

Bogue, Ronald. 1997. “Minor Writing and Minor Literature.” symploke 5.1: 99–118.

Britton, Celia. 1999. Edouard Glissant and Postcolonial Theory: Strategies of Language and Resistance. Charlottesville: University of Virginia Press.

———. 2004. “Breaking the Rules: Irrelevance/Irreverence in Maryse Condé's Traversée de la Mangrove.” French Cultural Studies 15: 35–47.

Broichhagen, Vera, Kathryn Lachman, and Nicole Simek. 2006. Feasting on Words: Maryse Condé, Cannibalism, and the Caribbean Text. Princeton: Program in Latin American Studies.

Bromberg, Shelley. “Which Way Did He Go? Identity, Culture, and Nation in Alejo Carpentier's Concierto Barroco.” Latin American Literary Review 36.71 (January-June): 5–23.

Burke, Edmund. A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and the Beautiful. Ed. J. T. Boulton. London: Routledge and New York: Columbia University Press.

Burton, Stacy. 2000. “Paradoxical Relations: Bakhtin and Modernism.” Modern Language Quarterly 61.3: 519–43.

Bushnell, Cameron Fae. 2009. “The Art of Tuning: A Politics of Exile in Daniel Mason's The Piano Tuner and Vikram Seth's An Equal Music.” Contemporary Literature 50. 2 (Summer): 332–62.

———. 2013. Postcolonial Readings of Music in World Literature: Turning Empire on Its Ear. New York: Routledge.

Butler, Judith. 2000. Antigone's Claim.New York: Columbia University Press.

Bystrom, Kerry. 2007. “Orphans and Origins: Family, Memory and Democracy in Argentina and South Africa.” PhD Diss., Princeton University.

Caché. 2006. Michael Haneke. Sony Pictures. DVD.

Caldwell, John. “Invention.” Grove Music Online. Oxford Music Online. Oxford University Press. http://www.oxfordmusiconline.com/subscriber/article/grove/music/13877. Accessed January 15, 2013.

(p.179) Calle-Gruber, Mireille. 2001. Assia Djebar, ou, la résistance de l'écriture: regards d'un écrivain d'Algérie. Paris: Maisonneuve et Larose.

Carpentier, Alejo. 1974 [2011]. Concierto barroco: novela. Mexico: Siglo Veintiuno.

———. 1988. Concierto Barroco. Trans. Asa Zazt. Tulsa: Council Oak Books/ Hecate.

———. 1994. Obras completes. 17 vols. Ed. Felix Baez-Jorge. Mexico: Siglo Veintiuno.

———. 1995 [1975] “The Baroque and the Marvelous Real.” Trans. Tanya Huntington and Lois Parkinson Zamora. In Magical Realism: Theory, History, Community, ed. Lois Parkinson Zamora and Wendy Faris: 89–108. Durham: Duke University Press.

Caruth, Cathy. 1996. The Unclaimed Experience: Trauma, Narrative and History. Baltimore: Johns Hopkins University Press.

Cazenave, Odile and Patricia Célérier. 2011. Contemporary Francophone African Writers and the Burden of Commitment. Charlottesville: University of Virginia Press.

Césaire, Aimé. 1939. “Cahier d'un retour au pays natal.” Volontés 20 (August 1939): 23–51.

———. 1972. Discourse on Colonialism. Trans. Joan Pinkham. New York: Monthly Review Press.

Chambers, Iain. 2001. Culture After Humanism: History, Culture, /Subjectivity. London: Routledge.

Chamoiseau, Patrick. 1988. Solibo magnifique. Paris: Gallimard.

———. 1991. “Reflections on Maryse Condé's Traversée de la mangrove.” Trans. Katherine Balutansky. Callaloo 14.2: 390.

Char, René. 1992. Selected Poems by René Char. Ed. and Tina Jolas. New York: New Directions.

Chatzidimitriou, Ioanna. 2009. “Self-Translation as Minorization Process: Nancy Huston's Limbes/Limbo.” SubStance 38.2(119): 22–42.

Clark, VèVè. 1989. “I Have Made Peace with My Island: An Interview with Maryse Condé.” Trans. Cécile Daheny. Callaloo 12.1 (Winter): 87–133.

Clément, Catherine. 1988. Opera and the Undoing of Women. Minneapolis: University of Minnesota Press.

Clingman, Stephen. 2009. The Grammar of Identity: Transnational Fiction and the Nature of the Boundary. Oxford: Oxford University Press.

Coetzee, Jacques. 1998. “Unsettling the Score.” In Inter Action 6: Proceedings of the Fourth Postgraduate Conference, ed. Hermann Wittenberg, Gabeba Baderoon, and Yolanda Steenkamp. Belleville: University of the Western Cape Press.

Coetzee, J. M. 1969. “The English Fiction of Samuel Beckett: An Essay in Stylistic Analysis.” PhD diss., University of Texas at Austin.

———. 1980. Waiting for the Barbarians. London: Secker & Warburg.

(p.180) ———. 1983. The Life and Times of Michael K. New York: Viking Press.

———. 1987. Foe. New York: Viking.

———. 1990. Age of Iron. New York: Random House.

———. 1992. Doubling the Point: Essays and Interviews. Ed. David Attwell. Cambridge: Harvard University Press.

———. 1996. Giving Offense: Essays on Censorship. Chicago: University of Chicago Press.

———. 1999. Disgrace. London: Secker & Warburg.

———. 2001. Stranger Shores: Literary Essays, 1986–1999. New York: Viking.

———. 2003a. Elizabeth Costello. New York: Viking.

———. 2003b. “Fictional Beings.” Philosophy, Psychiatry, & Psychology 10.2: 133–34.

———. 2005. Slow Man. New York: Viking Penguin.

———. 2008. Diary of a Bad Year. New York: Viking Penguin.

———. 2009. Summertime: Scenes from Provincial Life. London: Harvill Secker.

Cohen, Tom. 1996. “The Ideology of Dialogue: the Bakhtin/De Man (Dis) Connection.” Cultural Critique 33 (Spring): 41–86.

Condé, Maryse. 1987. La vie scélérate. Paris: Editions Seghers.

———. 1988. En attendant le bonheur (Heremakhonon). Paris: Seghers. Reissue of Heremakhonon (Paris: Union générale d'éditions, 1976).

———. 1989a. Traversée de la mangrove. Paris: Mercure de France.

———. 1989b. “Habiter ce pays.” Chemins Critiques 1.3 (December): 1–14.

———. 1993. “Order, Disorder, Freedom, and the West Indian Writer.” Yale French Studies 83.2: 121–35.

———. 1995. La migration des cœurs. Paris: R. Laffont.

———. 1997. Desirada. Paris: Laffont.

———. 1999. Le cœur à rire et à pleurer, contes vrais de mon enfance. Paris: Laffont.

———. 2000. Célanire cou-coupé: roman fantastique. Paris: Laffont.

———. 2001. “La Francophonie dans tous ses Etats.” Lecture given at the Graduate Center, CUNY, New York, March 9.

———. 2003. Histoire de la femme cannibale. Paris: Mercure de France.

———. 2006. Victoire: les saveurs et les mots. Paris: Mercure de France.

———. 2007. “Liaison dangereuse.” In Pour une littérature monde, ed. Michel Le Bris and Jean Rouaud: 205–16. Paris: Gallimard.

———. 2010. En attendant la montée des eaux. Paris: Lattès.

———. 2012. La vie sans fards. Paris: Lattès.

Conley, Tom. 1993 [2006]. “Translator's Forward.” The Fold. By Giles Deleuze. Trans. Tom Conley. Minneapolis: University of Minnesota Press.

Connor, Stephen. 2001. “The Decomposing Voice of Postmodern Music.” New Literary History 32.3 (Spring): 467–83.

Cooper, Pamela. 2005. “Metamorphosis and Sexuality: Reading the Strange Passions of Disgrace.” Research in African Literatures 36.4: 22–39.

(p.181) Cortázar, Julio. 1966. Hopscotch. New York: Pantheon Books.

———. 1980. Queremos tanto a Glenda. Mexico D. F.: Editorial Nueva Imagen.

———. 1983. We Love Glenda So Much and Other Tales. Trans. Gregory Rabassa. New York: Random House.

Crenshaw, Kimberlé. 1989. “Demarginalizing the Intersection of Race and Sex: A Black Feminist Critique of Antidiscrimination Doctrine, Feminist Theory and Antiracist Politics.” University of Chicago Legal Forum: 139–67.

Crosta, Suzanne. 1992. “Narrative and Discursive Strategies in Maryse Condé's Traversée de la mangrove.” Callaloo 15.1 (Winter): 147–55.

Dana, Catherine. 2004. “Les enfants Antigone.” French Forum 29.1 (Winter): 113–25.

Dash, J. Michael. 1995. Édouard Glissant (Cambridge Studies in African and Caribbean Literature). Cambridge and New York: Cambridge University Press.

———. 1998. “The World and the Word: French Caribbean Writing in the 20th Century.” Callaloo 34 (Winter): 112–30.

———. 2002. “The Madman at the Crossroads: Delirium and Dislocation in Caribbean Literature.” Profession 2002: 37–43.

———. 2003. “Vital Signs in the Body Politic: Eroticism and Exile in Maryse Condé and Dany Laferrièrre.” Romantic Review 94.3/4: 309–17.

Death for Five Voices: The Composer Carlo Gesualdo (1560–1613).1995. Werner Herzog.Image Entertainment. DVD.

de Groot, Rokus. 2005. “Perspectives on Polyphony in Edward Said's Writings.” Alif 25: 219–39.

Deleuze, Gilles. 1988. Le pli: Leibniz et le baroque. Paris: Editions de Minuit.

———. 1993. Critique et clinique. Paris: Editions de Minuit.

——— and Félix Guattari. 1975. Kafka: pour une littérature mineure. Paris: Editions de Minuit.

———. 1980. Milles plateaux. Paris: Editions de Minuit.

———. 1987. A thousand plateaus: capitalism and schizophrenia. Trans. Brian Massumi. Minneapolis: University of Minnesota Press.

Derrida, Jacques. 1967a. L'écriture et la différence. Paris: Éditions du Seuil.

———. 1967b. De la grammatologie. Paris: Minuit.

———. 1976. Of Grammatology. Trans. Gayatri Chakravorty Spivak. Baltimore: Johns Hopkins University Press.

———. 1985. The Margins of Philosophy. Trans. Alan Bass. Chicago: Chicago University Press.

———. 1996. Le monolinguisme de l'autre, ou, La prothèse d'origine. Paris: Galilée.

———. 1997. De l'hospitalité. Paris: Calmann-Lévy.

———. 2000. Of Hospitality. Trans. Rachel Bowlby. Stanford: Stanford University Press.

———. 2003. Voyous: deux essais sur la raison. Paris: Galilée.

(p.182) Dib, Mohammed. 1994. L'infante maure. Paris: Albin Michel.

Diome, Fatou. 2003. Le ventre de l'atlantique. Paris: Anne Carrière.

Djebar, Assia. 1957. La soif. Paris: Julliard.

———. 1958. Les impatients. Paris: Julliard.

———. 1962. Les enfants du nouveau monde. Paris: Julliard.

———. 1967. Les alouettes naïves. Paris: Julliard.

———. c.1977 La Nouba des femmes du Mont Chenoua. Written and directed by Assia Djebar. NY: Women Make Movies.

———. 1980. Femmes d'Alger dans leur appartement: nouvelles. Paris: Des femmes.

———. 1985. L'amour, la fantasia: roman. Paris: J. C. Lattès.

———. 1987. Ombre sultane. Paris: J. C. Lattès.

———. 1991. Loin de Médine. Paris: Albin Michel.

———. 1995a. Vaste est la prison. Paris: Albin Michel.

———. 1995b. Le blanc de l'Algérie. Paris: Albin Michel.

———. 1997a. Les nuits de Strasbourg. Arles: Actes Sud.

———. 1997b. Oran, langue morte. Arles: Actes Sud.

———. 1997c. L'écrivain francophone à la croisée des langues: entretiens. Paris: Karthala.

———. 1999. Ces voix qui m'assiègent: …en marge de ma francophonie. Paris: Albin Michel.

———. 2002. La femme sans sépulture. Paris: Albin Michel.

———. 2003. La disparition de la langue française. Paris: Albin Michel.

———. 2007. Nulle part dans la maison de mon père. Paris: Fayard.

Dobie, Madeleine. 2003. “Francophone Studies and the Linguistic Diversity of the Maghreb.” Comparative Studies of South Asia, Africa and the Middle East 23.1/2: 32–40.

Docker, John. 2007. “The Question of Europe: Said and Derrida.” In Edward Said: The Legacy of a Public Intellectual, ed. Ned Curthoys and Debjani Ganguly: 263–93. Melbourne: Melbourne University Press.

Donadey, Anne. 2001. Recasting Post-colonialism: Women Writing Between Worlds. Portsmouth, NH: Heinemann.

———. 2008. “African American and Francophone Postcolonial Memory: Octavia Butler's Kindred and Assia Djebar's La femme sans sepulture.” Research in African Literatures 39.3 (Fall): 65–88.

d'Ors, Eugenio. 1935. Du baroque. Paris: Gallimard.

Dunsby, Jonathan. “Performance.” Grove Music Online. Oxford Music Online. Oxford University Press. Accessed March 26, 2014.

Durrant, Sam. 2004. Postcolonial Literature and the Work of Mourning: J. M. Coetzee, Wilson Harris, and Toni Morrison. Albany: State University of New York Press.

Ebron, Paulla. 2002. Performing Africa. Princeton: Princeton University Press.

(p.183) Eco, Umberto. 1989. The Open Work. Trans. Anna Cancogni. Cambridge, MA: Harvard University Press.

Emerson, Caryl. 1998. “Response to Thomas Pavel, ‘Freedom, from Romance to the Novel: Three Anti-Utopian American Critics.’” New Literary History 29.4: 691–96.

——. 2002. “Milan Kundera on Not Liking Dostoevsky.” Unpublished paper. American Association of Teachers of Slavic and East European Languages (AATSEEL) Annual Conference.

———. 2004. “On the Generation That Squandered Its Philosophers (Losev, Bakhtin, and Classical Thought as Equipment for Living).” Studies in East European Thought 56.2 (June): 95–117.

———. 2005. “In Search of the Dialogic Novel: Anna Karenina versus The Brothers Karamazov.” Unpublished lecture given at the University of Pennsylvania conference, Dostoevsky Dismembered. April 15.

Erdinast-Vulcan, Daphna. 1997. “Borderlines and Contraband: Bakhtin and the Question of the Subject.” Poetics Today 18.2 (Summer): 251–69.

Erlam, Rosemary. 1997. “Tentative de Communication dans Traversée de la mangrove de Maryse Condé.” New Zealand Journal of French Studies 18.2: 29–38.

Ezra, Elizabeth and Terry Rowden, ed. 2006. Transnational Cinema: the Film Reader. London, New York: Routledge.

Fanon, Frantz. 1952. Peau noire, masques blancs. Paris: Éditions du Seuil.

———. 1959. “L'Algérie se dévoile.” In Sociologie d'une révolution: L'an V de la révolution algérienne: 16–50. Paris: F. Maspero.

———. 1961. Les damnés de la terre. Paris: F. Maspero.

———. 1965. “Algeria Unveiled.” In A Dying Colonialism: 35–63. Trans. Haakon Chevalier. New York: Grove Press.

Faulkner, Rita. 1996. “Assia Djebar, Frantz Fanon, Women, Veils, and Land.”World Literature Today 70.4 (Autumn): 847–55.

Fish, Stanley. 2008. “Will the Humanities Save Us?” New York Times, January 6. http://opinionator.blogs.nytimes.com/2008/01/06/will-the-humanities-save-us/. Accessed July 14, 2010.

Foucault, Michel. 1977. Language, Counter-Memory, Practice. Trans. Donald F. Bouchard and Sherry Simon. Ithaca: Cornell University Press, 1977.

Fulton, Dawn. 2001. “Reading Death: Allegory in Maryse Condé's Crossing the Mangrove.” Callaloo 
24.1 (Winter): 301–9.

Gazier, Michèle, Martine Laval and Emmanuelle Bouchez. 1997. “Français dans le texte.” Télérama (25 January). http://www.telerama.fr/livre/francais-dans-le-texte,69949.php. Accessed March 26, 2014.

Genette, Gérard. 1966. Figures. Paris: Editions du Seuil.

———. 1972. Figures III. Paris: Editions du Seuil.

(p.184) Gikandi, Simon. 1992. Writing in Limbo: Modernism and Caribbean Literature. Ithaca: Cornell University Press.

———. 2001. “Globalization and the Claims of Postcoloniality.” The South Atlantic Quarterly 100.3: 627–58.

Gilroy, Paul. 1993. The Black Atlantic: Modernity and Double Consciousness. Cambridge, MA: Harvard University Press.

Glenn Gould: the Goldberg Variations. 1981. Bruno Monsaigneon. Sony Classics. DVD.

Glissant, Edouard. 1969. L'intention poétique. Paris: Seuil.

———. 1981. Le discours antillais. Paris: Seuil.

———. 1987. Mahagony. Paris: Seuil.

———. 1990. Poétique de la relation. Paris: Gallimard.

———. 1996. Introduction à une poétique du divers. Paris: Gallimard.

Glover, Kaiama L. 2010. “The Ambivalent Transnationalism of a Literature-World—in French.” Small Axe 14.3 (33, 2010): 99–110.

Goebel, Walter and Saskia Schabio, ed. 2010. Locating Transnational Ideals. New York: Routledge.

Goldmark, Daniel, Lawrence Kramer, and Richard Leppert, eds. 2007. Beyond the Soundtrack: Representing Music in Cinema. Berkeley: University of California Press.

Gould, Glenn. 1966. “The Prospects of Recording.” High Fidelity Magazine 16.4 (April): 46–63.

Gourgouris, Stathis. 2004. “Transformation, not Transcendence.” boundary 2 31.2: 55–79.

Gracyk, Theodore and Andrew Kania, ed. 2011. The Routledge Companion to Philosophy and Music. Abingdon, Oxon; New York: Routledge.

Graham, Lucy Valerie. 2003. “Reading the Unspeakable: Rape in J. M. Coetzee's Disgrace.” Journal of South African Studies 29.2 (June): 433–44.

Green, Mary Jean, Karen Gould, Micheline Rice-Maximin, Keith L. Walker, and Jack A. Yaeger, eds. 1996. Postcolonial Subjects: Francophone Women Writers. Minneapolis: University of Minnesota Press.

Guène, Faïza and Bernard Richard. 2002. Mémoires du 17 octobre. Les Engraineurs. Documentary film. 17 min.

Hardy, Thomas. 1873. Under the Greenwood Tree. New York: Henry Holt.

Hargreaves, Alec and Mark McKinney, eds. 1997. Post-Colonial Cultures in France.London and New York: Routledge.

Hartman, Geoffrey H. 1994. “Is an Aesthetic Ethos Possible? Night Thoughts after Auschwitz.” Cardozo Studies in Law and Literature 6: 135–39.

Heidegger, Martin. 1959. An Introduction to Metaphysics. Trans. Ralph Manheim. New Haven: Yale University Press.

Hewitt, Leah. 1995. “Condé's Critical Seesaw.” Callaloo 18.3: 641–51.

(p.185) Hiddleston, Jane. 2006. Assia Djebar: Out of Algeria. Liverpool: Liverpool University Press.

Hirschkop, Ken. 1989. “Introduction: Bakhtin and Cultural Theory.” In Bakhtin and Cultural Theory. Ed. Ken Hirschkop and David Shepherd. Manchester: Manchester University Press.

———. 2001. “Bakhtin in the Sober Light of Day: and Introduction to the Second Edition.” In Bakhtin and Cultural Theory. Ed. Ken Hirschkop and David Shepherd. Manchester: Manchester University Press.

——— and David Shepherd. 1989. [2001]. Bakhtin and Cultural Theory. Manchester: Manchester University Press.

Hitchcock, Peter. 2010. The Long Space: Transnationalism and Postcolonial Form. Stanford: Stanford University Press.

Holland, Catherine. 1998. “After Antigone: Women, the Past and the Future of Feminist Political Thought.” American Journal of Political Science 42.4: 1108–32.

Holland, Michael. 2002. “‘Plink-plunk’: Unforgetting the Present in Coetzee's Disgrace.” Interventions 4.3: 395–404.

Huggan, Graham and Stephen Watson, ed. 1996. Critical perspectives on J. M. Coetzee. New York: St Martin's Press.

Huggan, Graham. 2008. Interdisciplinary Measures: Literature and the Future of Postcolonial Studies. Liverpool: Liverpool University Press.

Huntington, Julie. 2009. Sounding Off: Rhythm, Music, and Identity in West African and Caribbean Francophone Novels. Philiadelphia: Temple University Press.

Huston, Nancy. 1981. Les variations Goldberg: Romance. Paris: Seuil.

———. 1986. Lettres parisiennes: autopsie de l'exil. With Leila Sebbar. Paris: Barrault.

———. 1993. Plainsong. Toronto: Harper.

———. 1996a. The Goldberg Variations. Montreal: Nuage Editions.

———. 1996b. Instruments des ténèbres. Arles: Actes Sud.

———. 1997. Instruments of Darkness. Boston and Toronto: Little, Brown and Co.

———. 1999a. Prodige: Polyphonie. Arles: Actes Sud.

———. 1999b. Nord perdu suivi de Douze France. Arles: Actes Sud.

———. 2000. L'empreinte de l'ange. Paris: Babel.

———. 2001. Dolce agonia. Arles: Actes Sud. 2001.

———. 2002. Losing North: Musings on Land, Tongue and Self. Toronto: McArthur and Co.

———. 2003. “The Mask and the Pen.” In Lives in Translation: Bilingual Writers on Identity and Creativity, ed. Isabelle de Courtivron: 55–68. New York: Palgrave MacMillan.

———. 2005. Professeurs du désespoir. Arles: Actes Sud.

———. 2006. Lignes de faille. Arles: Actes Sud.

———. 2010. Infrarouge. Arles: Actes Sud.

(p.186) Indigènes/Days of Glory. 2006 [2007]. Rachid Bouchareb. Tessalit. DVD.

Irele, Abiola F. 2008. “Homage to Aimé Césaire.” Small Axe 12.3: 124–27.

Jakobson, Roman. 1966. “Quest for the Essence of Language.” Diogènes 51: 21–37.

James, David. 2011. “Testing Transnationalism.” Contemporary Literature 52.1 (Spring): 190–209.

Johnson, Barbara. 1979. Défigurations du langage poétique: la seconde révolution baudelairienne. Paris: Flammarion.

Johnson, James. 2005. “The Myth of Venice in Nineteenth-Century Opera.” Journal of Interdisciplinary History 36.3: 533–54.

Josipovici, Gabriel. 2002. Goldberg: Variations. Manchester: Carcanet.

Judkins, Jennifer. 2011. “Silence, Sound, Noise, and Music.” In The Routledge Companion to Philosophy and Music. Ed. Theodore Gracyk and Andrew Kania. Abingdon, Oxon; New York: Routledge.

Kadir, Djelal, ed. 1996. “Assia Djebar” (special issue), World Literature Today 70.4 (Autumn)

Kassabian, Anahid. 2001. Hearing Film: Tracking Identifications in Contemporary Hollywood Film Music. New York: Routledge.

Kateb, Yacine. 1981 (1956). Nedjma. Paris: Editions du Seuil.

Kaup, Monika. 2005. “Becoming Baroque: Folding European Forms into the New World Baroque with Alejo Carpentier.” The New Centennial Review 5.2: 107–49.

Kelly, Thomas Forrest. 2011. Early Music: A Very Short Introduction. Oxford: Oxford University Press.

Kemedjio, Cilas. 2013. “Maryse Condé and West Indian Complexity: The Writing of Monstrosity, Postcolonial Comparativism, and Cannibalistic Intertexualities.” Trans. Ruthmarie H. Mitsch. Research in African Literatures 44.3: 176–89.

Kern, Anne-Brigitte. 1994. “A voix nue.” Five Interviews with Assia Djebar. France Culture, May 23–7.

Kolb, Katherine. 2010. “Fractures and Recastings in Nancy Huston's Lignes de faille.” Contemporary French and Francophone Studies 14.5: 525–32.

Kostelanetz, Richard. 1988. “Glenn Gould as a Radio Composer.” The Massachusetts Review 29.3 (Fall): 557–70.

Kramer, Lawrence. 1989. “Dangerous Liaisons: The Literary Text in Musical Criticism” 19th-Century Music 13.2 (Autumn): 159–67.

———. 1995. Classical Music and Postmodern Knowledge. Berkeley: University of California Press.

Krauss, Nicole. 2005. The History of Love. New York: Norton.

———. 2010. Great House. New York: Norton.

(p.187) Kristeva, Julia. 1970. “Une poétique ruinée.” Introduction to La Poétique de Dostoièvski, by Mikhail Bakhtin, trans. Isabelle Kolitcheff: 5–27. Paris: Seuil.

———. 1973. “The Ruin of a Poetics.” In Russian Formalism. Ed. Stephen Bann and John E. Bowlt. Edinburgh: Scottish Academic Press.

Kritzman, Lawrence, ed. 2006. The Columbia History of Twentieth-Century French Thought. New York: Columbia University Press.

Kundera, Milan. 1986. L'art du roman. Paris: Gallimard.

———. 1988. The Art of the Novel. Tr. Linda Asher. New York: Harper & Row.

———. 1993. Testaments trahis: essai. Paris: Gallimard.

———. 2005. Le rideau: essai en sept parties. Paris: Gallimard.

Lachman, Kathryn. 2010. “The Allure of Counterpoint: History and Reconciliation in Edward Said and Assia Djebar.” Research in African Literatures 41.4 (Winter): 162–86.

Lacoue-Labarthe, Philippe. 1994. Musica ficta. Trans. Felicia McCarren. Stanford: Stanford University Press.

Lambert, Gregg. 2004. The Return of the Baroque in Modern Culture. London and New York: Continuum Press.

Lamming, George. 1960. The Pleasures of Exile. London: Joseph.

Le Bris, Michel and Jean Rouaud, eds. 2007. Pour une littératuremonde. Paris: Gallimard.

Leppert, Richard. 2007. “Opera, Aesthetic Violence, and the Imposition of Modernity: Fitzcarraldo.” In Beyond the Soundtrack: Representing Music in Cinema, ed Daniel Goldmark, Lawrence Kramer, and Richard Leppert: 99–119. Berkeley: University of California Press.

Lindley, Mark. 2012. “Temperaments.” Grove Music Online Oxford Music Online. http://www.oxfordmusiconline.com/subscriber/article/grove/music/27643. Accessed June 5, 2012.

Lionnet, Francoise. 2011. “Counterpoint and Double Critique in Edward Said and Abdelkebir Khatibi: A Transcolonial Comparison.” In A Companion to Comparative Literature, ed. Ali Behdad and Dominic Thomas: 387–407. Oxford: Blackwell.

——— and Ronnie Scharfman, eds. 1993. “Post/Colonial Conditions” (special issue), Yale French Studies 82.

——— and Shu-mei Shih, eds. 2005. Minor Transnationalism. Durham: Duke University Press.

Lodge, David. 1975. Changing Places: A Tale of Two Campuses. London: Secker and Warburg.

Lopes, Henri. 2003. Ma grand-mère bantoue et mes ancêtres les Gaulois. Paris: Gallimard.

Mallarmé, Stéphane. 1998. Œuvres complètes. Paris: Gallimard.

(p.188) Mann, Thomas. 1997. Doctor Faustus. Trans. John E. Woods. New York: Knopf.

Mansell, Darrel. 1985. “Glenn Gould: The Idea of South by North.” The Iowa Review 15.3 (Fall): 58–65.

Marais, Mike. 2006. “J. M. Coetzee's Disgrace and the Task of the Imagination.” Journal of Modern Literature 29.2: 75–93.

Marranca, Bonnie and Edward Said. 1991. “Criticism, Culture, and Performance: An Interview with Edward Said.” Performing Arts Journal: 21–42.

McCreless, Patrick. 2002. “Music and Rhetoric.” In The Cambridge History of Western Music Theory, ed. Thomas Christensen: 847–79. Cambridge: Cambridge University Press.

Meschonnic, Henri. 1982. Critique du rythme. Lagrasse: Verdier.

Meudal, Gérard. 2000. “Maryse Condé, l'inconvenante.” Le Monde, November 11.

Miller, Christopher. 1996. “After Negation: Africa in Two Novels by Maryse Condé.” In Postcolonial Subjects: Francophone Women Writers. Ed. Mary Jean Green et al. Minneapolis: University of Minnesota Press: 173–85.

———. 2006. “Francophonie.” In The Columbia History of Twentieth-Century French Thought, ed. Lawrence D. Kritzman: 235–38. New York: Columbia University Press.

——— and Farid Laroussi, eds. 2003. “French and Francophone: The Challenge of Expanding Horizons” (special issue), Yale French Studies 103.

Morrison, Anthea. 1995. “Emanicipating the Voice: Maryse Condé's La vie scélérate.” Callaloo 18.3: 616–25.

Morrison, Toni. 1992. Jazz: A Novel. New York: Knopf.

Morson, Gary Saul and Caryl Emerson, eds. 1989. Rethinking Bakhtin: Extensions and Challenges. Evanston: Northwestern University Press.

———. 1990. Mikhail Bakhtin: Creation of a Prosaics. Stanford: Stanford University Press.

Mortimer, Mildred. 2005. “Edward Said and Assia Djebar: A Contrapuntal Reading.” Research in African Literatures 36.3 (Fall): 53–67.

Moudileno, Lydie. 1995. “Portrait of the Artist as Dreamer: Maryse Condé's Traversée de la Mangrove and Les Derniers Rois Mages.” Trans. Francis Higginson. Callaloo 18.3 (Summer): 626–40.

———. 2006. “Positioning the ‘French’ ‘Caribbean’ ‘Woman’ Writer.” In Feasting on Words, ed. Vera Broichhagen, Kathryn Lachman, and Nicole Simek: 123–46. Princeton: PLAS.

Murdoch, H. Adlai. 2001. Creole Identity in the French Caribbean Novel. Gainesville: University of Florida Press.

——— and Anne Donadey, eds. 2005. Postcolonial Theory and Francophone Literary Studies. Gainesville: University of Florida Press.

(p.189) Nesbitt, Nick. 2003. Voicing Memory: History and Subjectivity in French Caribbean Literature. Charlottesville and London: University of Virginia Press.

Noudelmann, François. 2012. The Philosopher's Touch. New York: Columbia University Press.

Nuttall, Sarah. 2009. Entanglement: Literary and Cultural Reflections on Post-Apartheid. Johannesburg: Wits University Press.

O'Riley, Michael. 2002. “Translation and Imperialism in Assia Djebar's Les Nuits de Strasbourg.” In “The Seventy-Fifth Anniversary Issue,” The French Review 75.6 (May): 1235–49.

Ors, Eugenio d’. 1935. Du baroque. Trans. Agathe Rouart-Valéry. Paris: Gallimard.

Painter, Karen. 2001. “Contested Counterpoint: ‘Jewish’ Appropriation and Polyphonic Liberation.” Archiv für Musikwissenschaft 58.3: 201–30.

Pamuk, Orhan. 2006. “Freedom to Write.” Trans. Maureen Freely. New York Review of Books 53.9 (May 25).

Parry, Benita. 1998. “Speech and Silence in the Fictions of J. M. Coetzee.” In Writing South Africa: Literature, Apartheid, and Democracy, 1970–1995. Ed. Derek Attridge and Rosemary Jolly. Cambridge: Cambridge University Press: 149–65.

Pavel, Thomas. 1998. “Freedom, from Romance to the Novel: Three Anti-Utopian American Critics.” New Literary History 29.4: 579–98.

Pechey, Graham. 2002. “Coetzee's Purgatorial Africa: The Case of Disgrace.” Interventions 4.3: 374–83.

Perret, Delphine. 1995. “Dialogue with the Ancestors.” Callaloo 18.3 (Summer): 652–67.

——— and Mary-Denise Shelton, eds. 1995. “Maryse Condé” (special issue), Callaloo 18.3 (Summer).

Peterson, Dale. 1993. “The African American Dialogue with Bakhtin.” American Literature 65.4 (December): 761–75.

Pfaff, Françoise. 1996. Conversations with Maryse Condé. Lincoln: University of Nebraska Press.

Philcox, Richard. 2001. “Translating Maryse Condé: A Personal Itinerary.” Sites 5.2: 277–82.

Powers, Richard. 1991. The Gold Bug Variations. New York: W. Morrow.

Prieto, Eric. 2002. Listening In: Music, Mind, and the Modernist Narrative. Lincoln, NE: University of Nebraska Press.

Proulx, Patrice J. 2000. “Writing Home: Explorations of Exile and Cultural Hybridity in the Correspondence of Nancy Huston and Leïla Sebbar.” L'Esprit Créateur 40.4 (Winter): 80–88.

Proust, Marcel. 1987–89. À la recherche du temps perdu. Ed. Paris: Gallimard.

(p.190) Ramsay, Raylene. 2000. “The Nature of Hybridity in Maryse Condé's Traversée de la mangrove.” Nottingham French Studies 39.2 (Autumn): 213–335.

Randal, Don Michael, ed. 1986. New Harvard Dictionary of Music. Cambridge: Belknap Press of Harvard University Press.

Rejouis, Rose-Myriam. 1999. “A Reader in the Room: Rose Myriam Rejouis Meets Patrick Chamoiseau.” Callaloo 22.2: 346–50.

Rice, Alison. 2003. “Alsagérie: croisements de langues et d'histoires de l'Algérie à Strasbourg dans Les nuits de Strasbourg d'Assia Djebar.” Paroles déplacées 2 (September): 55–68.

———. 2006. Time Signatures: Contextualizing Contemporary Francophone Autobiographical Writing from the Maghreb. Lanham, MD: Lexington Books.

Risser, Nicole Dombrowski. 2012. France under Fire: German Invasion, Civilian Flight and Family Survival during World War II. Cambridge, UK: Cambridge University Press.

Robbins, Jill. 1991. “Visage, Figure: Reading Levinas’ Totality and Infinity.” Yale French Studies 79 (“Literature and the Ethical Subject”): 135–49.

Rosello, Mireille. 1995. “Caribbean Insularization of Identities in Maryse Condé's Work: From En attendant le bonheur to Les derniers rois mages.” Calalloo 18.3: 565–78.

———. 2005. France and the Maghreb: Performative Encounters. Gainesville: University of Florida Press.

Rothberg, Michael. 2009. Multidirectional Memory: Remembering the Holocaust in the Age of Decolonization. Stanford: Stanford University Press.

Rousseau, Jean-Jacques. 1959–. Œuvres complètes. Ed. Bernard Gagnebin and Marcel Raymond. 5 vols. Paris: Gallimard.

———. 1990. Essai sur l'origine des langues où il est parlé de la mélodie et de l'imitation musicale. Ed. J. Starobinski. Paris: Gallimard.

———. 1992. Discours sur l'origine et les fondements de l'inégalit; Discours sur les arts et les sciences. Paris: Garnier-Flammarion.

Said, Edward. 1978. Orientalism. New York: Random House.

———. 1991. Musical Elaborations. New York: Columbia University Press.

———. 1993. Culture and Imperialism. New York: Vintage Books.

———. 1999. Out of Place: A Memoir. New York: Knopf.

———. 2000. Reflections on Exile and Other Essays. Cambridge, MA: Harvard University Press.

———. 2002. Parallels and Paradoxes: Explorations in Music and Society. With Daniel Barenboim. New York: Pantheon Books.

———. 2006. On Late Style: Music and Literature against the Grain. Introduction by Michael Wood. New York: Pantheon Books.

(p.191) ———. 2012. “The Public Role of Writers and Intellectuals.” In The Public Intellectual, ed. Helen Small: 19–39. Oxford: Blackwell Publishing.

Salibi, Kamal. 1988. A House of Many Mansions: The History of Lebanon Reconsidered. Berkeley: University of California Press.

Sanders, Carol. 2003. “‘Une si belle enfant ne pouvait pas être maudite’: Polyphony in Maryse Condé's Novel Les Migrations du cœur.” In The Francophone Caribbean Today: Literature, Language, Culture, edited by Gertrud Aub-Buscher and Beverley Ormerod Noakes: 151–68. Barbados: University of the West Indies Press.

Sanders, Mark. 2002a. Complicities: The Intellectual and Apartheid. Durham: Duke University Press.

———. 2002b. “Disgrace.” Interventions 4.3: 363–73.

———. 2002c. “Ethics and Interdisciplinarity in Philosophy and Literary Theory.” Diacritics 32.3/4: 3–16.

Sarraute, Nathalie. 1963. Les Fruits d'or. Paris: Gallimard.

Scheie, Timothy. 2006. Performance Degree Zero: Roland Barthes and Theater. Toronto: University of Toronto Press.

Scher, Steven Paul, ed. 1992. Music and Text: Critical Inquiries. Cambridge: Cambridge University Press.

Sebbar, Leila. 1999. La Seine était rouge. Paris: Thierry Magnier.

Seidel, Linda. 2001. “Death and Transformation in J. M. Coetzee's Disgrace.” Journal of Colonialism and Colonial History 2.3 (2001): 22 paragraphs.

Sereda, Stefan. 2008. “Riffing on Resistance: Music in Chris Abanis Graceland.” ARIEL: A Review of International English Literature 39.4 (November): 31–47.

Shread, Carolyn. 2009. “Redefining Translation through Self-Translation: The Case of Nancy Huston.” In Translation in French and Francophone Literature and Film, ed. James T. Day: 51–66. Amsterdam and New York: Rodopi.

Silverstein, Paul. 2004. Algeria in France: Transpolitics, Race, and Nation. Bloomington: University of Indiana Press.

Simon, Julia. 2011. “Rousseau.” In The Routledge Companion to Philosophy and Music, ed. Theodore Gracyk and Andrew Kania: 317–27. London and New York: Routledge.

Sisman, Elaine. 1993. Haydn and the Classical Variation. Cambridge, MA: Harvard University Press.

———. “Variations.” Grove Music Online Oxford Music Online. Oxford University Press. http://www.oxfordmusiconline.com/subscriber/article/grove/music/29050. Accessed February 19, 2013.

Smart, Mary Ann, ed. 2000. Siren Songs: Representations of Gender and Sexuality in Opera. Princeton: Princeton University Press.

(p.192) Smyth, Gerry. 2008. Music in Contemporary British Fiction: Listening to the Novel. Basingstoke: Palgrave Macmillan.

Smyth, Heather. 2002. “Roots beyond Roots: Heteroglossia and Feminist Creolization in Myal and Crossing the Mangrove.” Small Axe 12 (September): 1–24.

Sophocles. 2001. Antigone. Trans. Paul Woodruff. Indianapolis and Cambridge, MA: Hackett.

———. 2005. Oedipus at Colonus. Trans. Eamon Grennan and Rachel Kitzinger. Oxford: Oxford University Press.

Spivak, Gayatri Chakravorty. 1988. “Can the Subaltern Speak?” In Marxism and the Interpretation of Culture, ed. Cary Nelson and Lawrence Grossberg: 271–316. Urbana: University of Illinois Press, 1988.

———. 2002. “Ethics and Politics in Tagore, Coetzee, and Certain Scenes of Teaching.” Diacritics 32.3/4: 17–31.

Starobinski, Jean. 1971. Jean-Jacques Rousseau: la transparence et l'obstacle. Paris: Gallimard.

Steedman, Carolyn. 2007. “Something Called a Fever: Michelet, Derrida, Dust (Or, in the Archives with Michelet and Derrida).” In Archives, Documentation, and Institutions of Social Memory: Essays from the Sawyer Seminar, ed. Francis X. Blouin and William G. Rosenberg: 4–19. Ann Arbor: University of Michigan Press.

Stora, Benjamin. 1991. La gangrène et l'oubli: la mémoire de la guerre d'Algérie. Paris: La Découverte.

———. 2005. Le livre, mémoire de l'histoire: réflexions sur le livre et la guerre d'Algérie. Paris: Préau des collines.

——— and Mohammed Harbi, eds. 2005. La guerre d'Algérie: 1954—2004, la fin de l'amnésie. Paris: Laffont.

Strangers. 2007. Erez Tadmor and Guy Nattiz. 2007. United Channel Movies. DVD.

Telmissany, May and Stephanie Tara Schwartz, eds. 2010. Counterpoints: Edward Said's Legacy. Cambridge: Cambridge Scholars Publishing.

Thomas, Dominic. 2010. “Documenting the Periphery: The Short Films of Faïza Guène.” French Forum 35.2/3 (Spring–Fall): 191–208.

Thomas, Downing A. 1995. Music and the Origins of Language: Theories from the French Enlightenment. Cambridge and New York: Cambridge University Press.

Tolbert, Elizabeth. 2001. “The Enigma of Music, the Voice of Reason: ‘Music,’ ‘Language,’ and Becoming Human.” New Literary History 32.3 (Spring): 451–65.

Tomlinson, Gary. 1999. Metaphysical Song: An Essay on Opera. Princeton: Princeton University Press.

(p.193) Urrows, David Francis, ed. 2008. Essays on Word/Music Adaptation and on Surveying the Field. Amsterdam and New York: Rodopi.

Valéry, Paul. 1957–60. Œuvres. Paris: Gallimard.

Vallaeys, Béatrice and Nathalie Levisalles, eds. “Francophonie: ma langue vivante.” Supplément à Libération No. 7730, March 16, 2006.

Vargas Llosa, Mario. 2011. Making Waves: Essays. New York: Farrar, Strauss, Giroux.

Vertovec, Stephen and Robin Cohen, ed. 1999. Migrations, Diasporas, and Transnationalism. Cheltenham, UK, Northampton, MA: Edward Elgar.

Waberi, Abdourahman. 2003. Transit: roman. Paris: Gallimard.

———. 2012. Passage of Tears. Trans. David and Nicole Ball. Kolkata and London: Seagull Books.

Walker, Paul. “Fugue.” Grove Music Online. Oxford Music Online. Oxford University Press. http://www.oxfordmusiconline.com/subscriber/article/grove/music/51678. Accessed February 16, 2013.

Welcome. 2009 [2010]. Philippe Lioret. Film Movement. DVD.

White, Hayden. 1973. Metahistory: The Historical Imagination in Nineteenth-Century Europe. Baltimore: Johns Hopkins University Press.

———. 1992. “Commentary.” In Music and Text, ed. Steven Paul Scher: 288–319. Cambridge: Cambridge University Press.

Wicomb, Zoë. 2002. “Translations in the Yard of Africa.” Journal of Literary Studies 18.3/4: 209–25.

Williams, Peter. 2001. Bach: The Goldberg Variations. Cambridge: Cambridge University Press.

Wolf, Werner. 1999. The Musicalization of Fiction: A Study in the Theory and History of Intermediality. Amsterdam and Atlanta: Rodopi.

———. 2002a. “Intermedial Iconicity in Fiction: Tema con variazioni.” From Sign to Signing: Iconicity in Language and Literature 3: 339–60.

———. 2002b. “Toward a Functional Analysis of Intermediality: The Case of Twentieth-Century Musicalized Fiction.” In Cultural Functions of Intermedial Exploration, ed. Erik Hedling and Ulla Britta Lagerroth: 15–34. Amsterdam and New York: Rodopi.

Yaeger, Patricia. 2007. “Editor's Column.” PMLA 122.3 (May): 633–51.

Young, Robert. 1995. Colonial Desire: Hybridity in Theory, Culture, and Race. London, New York: Routledge.

Zambrano, Maria. 1989. La tumba de Antigone. Madrid: Mondadori.

Zamora, Lois Parkinson and Monika Kaup, ed. 2010. Baroque New Worlds: Representation, Transculturation, Counterconquest. Durham: Duke University Press.

(p.194) Zimra, Clarisse. 2004. “Hearing Voices, or, Who You Calling Postcolonial? The Evolution of Djebar's Poetics.” Research in African Literatures 35.4 (Winter): 149–59.

Ziolkowski, Theodore. 2010. “Literary Variations on Bach's Goldberg.” Modern Language Review 105.3 (July): 625–40.

Žižek, Slavoj. 2002. Welcome to the Desert of the Real: Five Essays on September 11 and Related Dates. London, New York: Verso.