Show Summary Details
- Title Pages
- Acknowledgements
- Abbreviations
- Introduction
-
1 How to be Primitive -
2 Problems of Cultural Self-Representation -
3 Eating their Words -
4 Intertextual Connections -
5 Breaking the Rules -
6 Discursive Agency and the (De)Construction of Subjectivity in Daniel Maximin's L'Île et une nuit -
7 Discours and Histoire, Magical and Political Discourse in Le Quatrième Siècle -
8 Collective Narrative Voice in Malemort, La Case du commandeur and Mahagony -
9 Fictions of Identity and the Identities of Fiction in Tout-monde -
10 Mixing up Languages in the ‘Tout-monde’ -
11 ‘La parole du paysage’ -
Appendix ‘Writing in the Present’ - Bibliography
- Index
(p.ix) Abbreviations
(p.ix) Abbreviations
- Source:
- Language and Literary Form in French Caribbean Writing
- Publisher:
- Liverpool University Press
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- Title Pages
- Acknowledgements
- Abbreviations
- Introduction
-
1 How to be Primitive -
2 Problems of Cultural Self-Representation -
3 Eating their Words -
4 Intertextual Connections -
5 Breaking the Rules -
6 Discursive Agency and the (De)Construction of Subjectivity in Daniel Maximin's L'Île et une nuit -
7 Discours and Histoire, Magical and Political Discourse in Le Quatrième Siècle -
8 Collective Narrative Voice in Malemort, La Case du commandeur and Mahagony -
9 Fictions of Identity and the Identities of Fiction in Tout-monde -
10 Mixing up Languages in the ‘Tout-monde’ -
11 ‘La parole du paysage’ -
Appendix ‘Writing in the Present’ - Bibliography
- Index
