This chapter focuses on poetry anthologies published in the 1950s and 1960s. Robert Conquest's 1956 Macmillan anthology New Lines was responsible for consolidating the arguments and personnel of the Movement in the public mind. This was achieved through his clear taste and agenda, New Lines' limited personnel of just nine poets, and the generous selections from the poets' work it contained. Another anthology published in the same year was G. S. Fraser's Poetry Now, where no less than 74 poets are represented. The contents list reveals that Fraser was acquainted with the work of many poets from all sides of the poetry world, while the introduction reveals him to be well informed on recent poetic trends. Penguin, the biggest British publisher at that time, also drew up a scheme for new poetry anthologies: a new edition of Kenneth Allott's Contemporary Verse; Poetry since the War, a book suggested by [C. B.] Cox and [A. E.] Dyson of the Critical Quarterly; and An Anthology of Twentieth Century Lyrics with an emphasis on the Georgian style and its inheritors to be edited by one John Smith.
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