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The Alvarez GenerationThom Gunn, Geoffrey Hill, Ted Hughes, Sylvia Plath, and Peter Porter$
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William Wootten

Print publication date: 2015

Print ISBN-13: 9781781381632

Published to Liverpool Scholarship Online: May 2016

DOI: 10.5949/liverpool/9781781381632.001.0001

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PRINTED FROM LIVERPOOL SCHOLARSHIP ONLINE (www.liverpool.universitypressscholarship.com). (c) Copyright Liverpool University Press, 2019. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in LSO for personal use.date: 14 October 2019

Sylvia Plath

Sylvia Plath

Chapter:
(p.101) Chapter Eight Sylvia Plath
Source:
The Alvarez Generation
Author(s):

William Wootten

Publisher:
Liverpool University Press
DOI:10.5949/liverpool/9781781381632.003.0008

This chapter analyzes the poetry of Sylvia Plath. It notes her tendency to figure or literalise the dominant critical metaphors of the time — a tendency evident in her contemporaries but is particularly pronounced in Plath. Moreover, this tendency applies even to such a seemingly abstract concept as poetic impersonality, a concept which can easily be depicted in terms of Laingian depersonalisation. With the simplifying wrong-way telescope of hindsight, Plath could be said to have moved from a paradigm of poetic impersonality to a personalised aesthetic of confessionalism or extremism. But in fact many of the intriguing and valuable tensions in her later work proceed from how she is attempting to make use of the material of the latter while still evincing considerable attachment both to the paradigm of the former and to the fashion for the dramatic soliloquy and dramatic monologue, a mode to which she kept returning, even in the last poems of 1963.

Keywords:   women poets, poetry, Sylvia Plath, metaphor, poetic impersonality, confessionalism, extremism

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