Jump to ContentJump to Main Navigation
Poetry, Photography, EkphrasisLyrical Representations of Photographs from the 19th Century to the Present$
Users without a subscription are not able to see the full content.
Poetry, Photography, Ekphrasis: Lyrical Representations of Photographs from the 19th Century to the Present

Andrew Miller

Print publication date: 2015

Print ISBN-13: 9781781381908

Published to Liverpool Scholarship Online: May 2016

DOI: 10.5949/liverpool/9781781381908.001.0001

Show Summary Details
Page of

PRINTED FROM LIVERPOOL SCHOLARSHIP ONLINE (www.liverpool.universitypressscholarship.com). (c) Copyright Liverpool University Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in LSO for personal use.date: 25 September 2021

The Snapshot Elegy

The Snapshot Elegy

Chapter:
(p.70) 3 The Snapshot Elegy
Source:
Poetry, Photography, Ekphrasis
Author(s):

Andrew D. Miller

Publisher:
Liverpool University Press
DOI:10.5949/liverpool/9781781381908.003.0004

Using Peter Sack’s theories about the English Elegy, the chapter deals with the role that photographs play in the modern elegiac tradition and the work of mourning. It discusses three 20th-century poems in which photographs figure prominently. The poets discussed are Thomas Hardy, Ivor Gurney and Philip Larkin.

Keywords:   Elegy sympathetic magic nympholepsy mourning melancholia

Liverpool Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.

Please, subscribe or login to access full text content.

If you think you should have access to this title, please contact your librarian.

To troubleshoot, please check our FAQs, and if you can't find the answer there, please contact us.