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Poetry, Photography, EkphrasisLyrical Representations of Photographs from the 19th Century to the Present$
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Andrew Miller

Print publication date: 2015

Print ISBN-13: 9781781381908

Published to Liverpool Scholarship Online: May 2016

DOI: 10.5949/liverpool/9781781381908.001.0001

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PRINTED FROM LIVERPOOL SCHOLARSHIP ONLINE (www.liverpool.universitypressscholarship.com). (c) Copyright Liverpool University Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in LSO for personal use.date: 25 September 2021

The Suppressed Ekphrasis

The Suppressed Ekphrasis

Chapter:
(p.104) 4 The Suppressed Ekphrasis
Source:
Poetry, Photography, Ekphrasis
Author(s):

Andrew D. Miller

Publisher:
Liverpool University Press
DOI:10.5949/liverpool/9781781381908.003.0005

Using Marshall McLuhan’s notion of “pseudo-events”, the chapter addresses the realities of what it terms suppressed ekphrases: that is, it discusses poems that use photographs as sources of description without acknowledging these sources. The poets discussed are Marianne Moore and Seamus Heaney.

Keywords:   Modernism animal documentary Celtic Tradition media studies Northern Ireland

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