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Branding the 'Beur' AuthorMinority Writing and the Media in France$
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Kathryn A. Kleppinger

Print publication date: 2016

Print ISBN-13: 9781781381960

Published to Liverpool Scholarship Online: January 2019

DOI: 10.5949/liverpool/9781781381960.001.0001

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Eyewitness Narrativesand the Creation of the Beurette

Eyewitness Narrativesand the Creation of the Beurette

Chapter:
(p.121) Chapter IV Eyewitness Narrativesand the Creation of the Beurette
Source:
Branding the 'Beur' Author
Author(s):

Kathryn A. Kleppinger

Publisher:
Liverpool University Press
DOI:10.5949/liverpool/9781781381960.003.0004

Through the context of the rise of fears of Islamism after several high-profile terrorist attacks in France, this chapter considers the impact of discourses of violence against women in the North African community. After a brief history of the ‘veil affairs’ in France (1989-2003), the chapter focuses on two authors who received significant attention in the audio-visual media: Soraya Nini for her 1993 novel Ils disent que je suis une beurette and Samira Bellil for her 2002 memoir Dans l’enfer des tournantes. These texts, although different in literary genre and scope and published nearly a decade apart, were discussed in parallel terms: as voices of emancipated young women who support French institutions and call for more involvement and protection from state authorities against supposedly violent and barbaric young men. Through these conversations a new iteration of ‘beur literature’ was born, that of the ‘beurette’ (young woman) struggling to declare her independence and freedom from oppressive familial customs.

Keywords:   Beurette, Soraya Nini, Samira Bellil, Islamism, Ni Putes Ni Soumises, Veil

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