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Being ContemporaryFrench Literature, Culture and Politics Today$
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Lia Brozgal and Sara Kippur

Print publication date: 2016

Print ISBN-13: 9781781382639

Published to Liverpool Scholarship Online: January 2019

DOI: 10.5949/liverpool/9781781382639.001.0001

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PRINTED FROM LIVERPOOL SCHOLARSHIP ONLINE (www.liverpool.universitypressscholarship.com). (c) Copyright Liverpool University Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in LSO for personal use.date: 03 August 2021

(After) Conceptualism

(After) Conceptualism

Contemporaneity in Choreography

Chapter:
(p.43) Chapter Three (After) Conceptualism
Source:
Being Contemporary
Author(s):

Carrie Noland

Publisher:
Liverpool University Press
DOI:10.5949/liverpool/9781781382639.003.0004

‘(After) Conceptualism: Contemporaneity in Choreography’, written by Carrie Noland, is the last essay in the ‘Conceptualizing the Contemporary’ section, and investigates the study of cutting-edge conceptual choreography and dance performance as an index of contemporaneity. Noland provides a consideration of what comes after the contemporary and assesses performance as a test case for a broader inquiry into the notion of being contemporary.

Keywords:   French and Francophone Studies, Literary Theory, Literary Criticism, European Literature, French Literature, French Culture, Cultural Studies, European Studies

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