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Africa in EuropeStudies in Transnational Practice in the Long Twentieth Century$
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Eve Rosenhaft and Robbie Aitken

Print publication date: 2013

Print ISBN-13: 9781846318474

Published to Liverpool Scholarship Online: May 2014

DOI: 10.5949/liverpool/9781846318474.001.0001

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PRINTED FROM LIVERPOOL SCHOLARSHIP ONLINE (www.liverpool.universitypressscholarship.com). (c) Copyright Liverpool University Press, 2019. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in LSO for personal use.date: 14 October 2019

Féral Benga's Body

Féral Benga's Body

Chapter:
(p.99) Chapter 6 Féral Benga's Body
Source:
Africa in Europe
Author(s):

James Smalls

Publisher:
Liverpool University Press
DOI:10.5949/liverpool/9781846318474.003.0006

This chapter examines the career of the Senegalese dancer Féral Benga, focusing on various visual and verbal encounters with Féral Benga’s body by a handful of modern artists and writers of the early twentieth. In interwar Paris, Benga was the male counterpart to Josephine Baker and a gay icon. The chapter argues that his body exemplifies the hybridity of European, Euroamerican, and black diasporic culture. Moreover his self-fashioning strategies and the representational performativity of that body by others brought not only Africa, but also the silence of the homoerotic and blindness to it into the orbit of Black Atlantic discourses. The reception of his body in performance and in its visual representations speaks to the desire for a homoutopic vision of humanity. For black artists and intellectuals, that vision was the key an alternate transnational vision of blackness, bringing together the primitive, the classical, the homoerotic and the African as powerful challenges to racist, homophobic and colonialising enterprises.

Keywords:   Paris, Senegalese, Féral Benga, François Benga, dance, visual representation, homoerotic, Josephine Baker

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