Show Summary Details
- Title Pages
- [UNTITLED]
-
1 Introduction: Theorizing for Change: Intersections, Transdisciplinarity, and Black Lived Experience -
2 Exordium: Writing and the Relation: From Textual Coloniality to South African Black Consciousness1 -
3 Postcolonial Backlash and Being Proper: Femininity, Blackness, Sexuality, and Transgender in the Public Eye -
4 Productive Investments: Masculinities and Economies in Fisher’s The Walls of Jericho -
5 “I Hugged Myself”: First-Person Narration as an Agential Act in Octavia Butler’s “The Evening and the Morning and the Night” -
6 Benjamin Franklin’s Ethnic Drag – Notes on Abolition, Satire, and Affect -
7 “Weh eye nuh see heart nuh leap”: Claude McKay’s Literary Drag Performance in Banana Bottom -
8 The Souls of Black Gay Folk: The Black Arts Movement and Melvin Dixon’s Revision of Du Boisian Double Consciousness in Vanishing Rooms -
9 “Risking Sensuality”: Toni Morrison’s Erotics of Writing -
10 Cultures of Melancholia: Theorizing Desire and the Black Body -
11 Richard Wright’s Poetics of Black Being: Metaphor, Desire, and Doing -
12 On the Monstrous Threat of Reasoned Black Desire -
13 Revising Jezebel Politics: Toward a New Black Sexual Ethic -
14 The Challenge of Black Feminist Desire: Abolish Property - Contributors
- Index
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- Source:
- Black Intersectionalities
- Publisher:
- Liverpool University Press
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- Title Pages
- [UNTITLED]
-
1 Introduction: Theorizing for Change: Intersections, Transdisciplinarity, and Black Lived Experience -
2 Exordium: Writing and the Relation: From Textual Coloniality to South African Black Consciousness1 -
3 Postcolonial Backlash and Being Proper: Femininity, Blackness, Sexuality, and Transgender in the Public Eye -
4 Productive Investments: Masculinities and Economies in Fisher’s The Walls of Jericho -
5 “I Hugged Myself”: First-Person Narration as an Agential Act in Octavia Butler’s “The Evening and the Morning and the Night” -
6 Benjamin Franklin’s Ethnic Drag – Notes on Abolition, Satire, and Affect -
7 “Weh eye nuh see heart nuh leap”: Claude McKay’s Literary Drag Performance in Banana Bottom -
8 The Souls of Black Gay Folk: The Black Arts Movement and Melvin Dixon’s Revision of Du Boisian Double Consciousness in Vanishing Rooms -
9 “Risking Sensuality”: Toni Morrison’s Erotics of Writing -
10 Cultures of Melancholia: Theorizing Desire and the Black Body -
11 Richard Wright’s Poetics of Black Being: Metaphor, Desire, and Doing -
12 On the Monstrous Threat of Reasoned Black Desire -
13 Revising Jezebel Politics: Toward a New Black Sexual Ethic -
14 The Challenge of Black Feminist Desire: Abolish Property - Contributors
- Index
