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Byron's GhostsThe Spectral, the Spiritual and the Supernatural$
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Gavin Hopps

Print publication date: 2013

Print ISBN-13: 9781846319709

Published to Liverpool Scholarship Online: September 2014

DOI: 10.5949/liverpool/9781846319709.001.0001

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PRINTED FROM LIVERPOOL SCHOLARSHIP ONLINE (www.liverpool.universitypressscholarship.com). (c) Copyright Liverpool University Press, 2020. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in LSO for personal use.date: 03 June 2020

Afterword

Afterword

Blowing on a Dead Man’s Embers: Byron’s Biographical Ghosts

Chapter:
(p.215) Afterword
Source:
Byron's Ghosts
Author(s):

Peter Allender

Publisher:
Liverpool University Press
DOI:10.5949/liverpool/9781846319709.003.0011

This chapter discusses the ways in which literary biographies attempt to ‘bring the dead to life’, with varying degrees of sympathy and animosity. Noting the dramatic alteration in assessments of Byron’s significance, it reflects on what has been gained and lost in the spate of recent biographies of the poet. After a brief discussion of Ian Hamilton’s chapter on Byron in Keepers of the Flame and Jerome McGann’s portrait of the poet in Byron and Romanticism, the chapter focuses on Kay Redfield Jamison’s Touched with Fire: Manic Depressive Illness and the Artistic Temperament, Phyllis Grosskurth’s Byron: The Flawed Angel, Benita Eisler’s Byron: Child of Passion, Fool of Fame, and Fiona MacCarthy’s Byron: Life and Legend. These various attempts at keeping Byron’s flame alight prompt insightful comments on the poet’s theatricality and notorious mobility; the peculiar way in which he was, like many of his heroes, haunted by his own thoughts and moods; and the ‘deeply redemptive spirit [he brought] to the problems of despair, ennui, uncertainty, and disillusionment’.

Keywords:   literary biographies, Byron, poetry, poets, Ian Hamilton, Jerome McGann, Kay Redfield Jamison, Phyllis Grosskurth, Benita Eisler, Fiona MacCarthy

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