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Women's Experimental Poetry in Britain 1970-2010Body, Time and Locale$
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David Kennedy

Print publication date: 2013

Print ISBN-13: 9781846319778

Published to Liverpool Scholarship Online: May 2014

DOI: 10.5949/liverpool/9781846319778.001.0001

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PRINTED FROM LIVERPOOL SCHOLARSHIP ONLINE (www.liverpool.universitypressscholarship.com). (c) Copyright Liverpool University Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in LSO for personal use.date: 28 September 2021

Geraldine Monk:

Geraldine Monk:

Supernatural Soundscapes and Interregnum

(p.68) Chapter 5 Geraldine Monk:
Women's Experimental Poetry in Britain 1970-2010

David Kennedy

Christine Kennedy

Liverpool University Press

The term ‘women’s poetry’ implies not only poetry by and for women, but also poetry that is the articulation of women. This explains why women’s poetry is always considered to be representative of something. In Fishing by Obstinate Isles: Modern and Postmodern British Poetry and American Readers (1998), Keith Tuma outlines some of the difficulties of writing about women’s poetry, including the assumption that experimental, feminist and radical can be comfortably dismissed. This chapter offers a reading of Geraldine Monk’s book-length sequence Interregnum, which focuses on the notorious witch trial of 1612 when ten women from the Pendle area of East Lancashire were hung as witches in Lancaster. First published in 1994, Interregnum highlights the relation of language and society to place and time. The chapter explores magic (as performative utterance) and the supernatural (as hauntings and presences) in Monk’s experimental poetry. Finally, it discusses Monk’s recognition of common humanity, emotional geography, other selves and historical echoes in her work.

Keywords:   women’s poetry, women, Geraldine Monk, Interregnum, witch trial, witches, language, magic, supernatural, experimental poetry

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