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Virginia Woolf and Heritage$
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Jane deGay, Tom Breckin, and Anne Reus

Print publication date: 2018

Print ISBN-13: 9781942954422

Published to Liverpool Scholarship Online: September 2018

DOI: 10.5949/liverpool/9781942954422.001.0001

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Silence, Darkness, and Dirt: Mysticism and Materiality in The Years and Between the Acts

Silence, Darkness, and Dirt: Mysticism and Materiality in The Years and Between the Acts

Chapter:
(p.102) Silence, Darkness, and Dirt: Mysticism and Materiality in The Years and Between the Acts
Source:
Virginia Woolf and Heritage
Author(s):

Elizabeth Anderson

Publisher:
Liverpool University Press
DOI:10.5949/liverpool/9781942954422.003.0014

Recent treatments of the role of religion in Virginia Woolf’s novels have posited a tension between religiosity and secularism, but this paper explores the conjunction of spirituality and materiality in Woolf’s work. Rather than posing a tension between mainstream religion and materiality, I argue for an unorthodox view of spirituality in which, despite their apparent contradiction, the mystical and the material are deeply interrelated. This material mysticism is demonstrated in the sacred charge of everyday objects, mystical consciousness (one interpretation of ‘moments of being’) emerging out of mundane locations and encounters (explored here in relation to The Years and Between the Acts) and the redeployment of key tropes of the mystical tradition. In the tradition of negative theology or apophatic mysticism, darkness and silence are frequently used to describe the divine as transcendent, unknowable and absent. Yet in Woolf’s novels darkness and silence are configured as located in the mundane, the material and presence. This paper argues that the material mysticism of Woolf’s writing provides a crucial component of the religious imagination of modernism.

Keywords:   Virginia Woolf, mysticism, everyday, materiality, silence, feminist theology, negative theology, The Years, Between the Acts

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